In Flora to Fauna, Elvis Grahovac envisions a world where the boundaries between plant, animal, and human life dissolve, emphasizing the deep interconnection of all living beings. At the center of the composition, three figures stand—one female, one male, and between them, a futuristic, androgynous being that embodies both genders and neither at the same time. These figures, like all the other creatures in the artwork, exist in a liminal space between flora and fauna, blurring the line between the two.

Their brains serve as the roots for flowers that bloom from their heads, symbolizing thought, growth, and organic consciousness. Meanwhile, their feet merge into an underground world of fungi, connecting them to the unseen, symbiotic networks of nature. They are sexual beings, not in the limited human sense, but as part of a universal cycle of life, creation, and transformation.